Producer Partnerships

Become an HRP Producer.

Producer credit and 10% producer fee for operators whose networks reach into humanities foundations, civic media, philanthropic capital, and museum or library leadership. The work is produced by CGA's operating system, built specifically for this project. The funding network is what HRP needs.

What HRP is

Cultural preservation infrastructure, not media.

The Historical Resurrection Project is AI-assisted documentary reconstruction of lives that were never photographed, communities erased before they could be documented, places demolished before anyone thought to film them. The output is not released as content. Each finished work is placed into long-term custody with a museum, library, historical society, or academic institution.

Source thresholds are strict. Reconstruction is disclosed. AI is used to make historical evidence intelligible, never to invent it. The full framework, ethical model, and story criteria are public at cgacreative.com/hrp.

What an HRP Producer does

Open the doors that fund the work.

HRP is produced by CGA's operating system, built specifically for this project, so the editorial voice stays singular while the production scales. The one thing the project genuinely needs from outside the studio is funding network access. That is the Producer role.

An HRP Producer brings warm introductions to potential funders, co-writes or strengthens grant proposals where their relationships make the difference, and sits on project advisory if it strengthens the pitch to a particular institution. They do not handle craft, story, subject matter expertise, or institutional placement of finished works. Those stay with HRP directly.

The terms

10%

Producer fee on funding raised through the Producer's channel. Paid as the funding lands. No tiers, no thresholds.

Credit

Named Producer credit on every placed work whose funding the Producer helped unlock. Credit appears in the institutional record for the life of the work.

Ongoing

Collaboration extends to follow-on works funded through the same channel. The relationship compounds rather than ending at one project.

Who this is for

Operators with real funding networks.

Foundation directors or program officers in humanities, civic media, AI ethics, regional heritage
Museum, library, archive, or public media leadership
Grant writers and philanthropic strategists with active relationships
Family office or impact-investing operators with cultural mandates
Academic development officers and university advancement leaders

Who this is NOT for

Everyone else, by design.

Production talent, story partners, content strategists (HRP is single-producer by design)
Subject matter experts hoping to consult on specific projects (handled directly by HRP)
Institutional custodians offering to receive placed work (handled as direct relationships)
Marketing or PR operators (HRP does not distribute as content)
Anyone whose primary value is enthusiasm without a specific funding channel

Other partnership shapes may open down the road on the audience or strategic side, but never on craft. That stays singular.

Apply to become an HRP Producer.

Tell me about your network and the funding you think you could unlock. I read every application personally and respond within a week to those that look like real fits.

All applications read personally by Erich Archer.